U.S. Army Captain Michael Kelvington, commander of the Battle company, 1-508 Parachute Infantry battalion, 4th Brigade Combat Team, 82nd Airborne Division, bows next to remains of Gulam Dostager, a member of Afghan Local Police who was killed in the blast of an Improvised Explosive Device (IED) during the joint Tor Janda (Black Flag in Pashtu) operation, in Zahri district of Kandahar province, southern Afghanistan May 25, 2012.  REUTERS/Shamil Zhumatov  (AFGHANISTAN - Tags: MILITARY CIVIL UNREST CONFLICT TPX IMAGES OF THE DAY)

Reuters Photojournalism

Our day's top images, in-depth photo essays and offbeat slices of life. See the best of Reuters photography.  See more | Photo caption 

Members of the U.S. Navy Blue Angels fly over the World Trade Center in lower Manhattan as part of the 25th annual Fleet Week celebration in New York, May 23, 2012.  REUTERS/Eduardo Munoz (UNITED STATES - Tags: MILITARY ANNIVERSARY TPX IMAGES OF THE DAY)

Fleet Week

The U.S. Navy takes Manhattan for a week.  Slideshow 

Photo

The SpaceX mission

A privately owned unmanned rocket blasts off on a mission to be the first commercial flight to the International Space Station.  Slideshow 

Belgian tenor Helmut Lotti wants to find his own style

1 of 2. Belgian singer Helmut Lotti points to photographers as he arrives at the Plaza hotel ahead of the Platinum Europe Music Awards ceremony in Brussels in this July 13, 2000 file photo.

Credit: Reuters/Yves Herman/Files

CANBERRA | Thu Sep 24, 2009 8:50am EDT

CANBERRA (Reuters) - Belgian tenor Helmut Lotti has done Elvis, sung crossover classical music, crooned to stadium audiences across the globe, and even belted out Latino and African hits.

But now Lotti, a top-selling Flemish artist with a 20-year career jumping between easy-listening musical genres, is going to try something new -- being himself.

"I am at a point where I feel like changing radically ... it is time to be original," 39-year-old Lotti told Reuters in an interview on Thursday during an Australian tour.

"I would like to stop taking popular music and changing it around because in the end you feel is the success due to me or is it the fact that I am a touring juke box? I am going to write my own stuff."

Lotti began his career in Belgium imitating Elvis Presley but changed direction in 1995 at the suggestion of his manager Piet Roelen, making a string of "Helmut Lotti Goes Classic" albums that appealed to a global audience and put him on the world stage.

Lotti said the timing was perfect, coming as classical crossover stars like Andrea Bocelli and Andre Rieu hit the charts, so he stuck with the successful formula of adapting the classics and traditional music, backed by a big orchestra.

"In the beginning it was exciting. I grasped the momentum and I was lucky. I was the right guy at the right time in the right place," he said.

Not only did his albums sell well but so did tickets to his concerts with his fan base including more mature listeners keen -- and with money -- to buy tickets to musical extravaganzas.

Lotti continued to use the formula of picking a selection of songs from a particular genre, such as swing, or geographic region such as Africa, re-arranging them and adding a big orchestra, notching up sales of 13 million albums worldwide as well as performing up to 1,500 concerts.

"But I feel that this successful formula that I have been using has lasted long enough," he said.

"I am going to turn 40 and I am not the kind of guy who is going to be on the stage like a frustrated old man who is trying to look 25 and singing the same songs of 30 years ago. That is not what I want to become."

Lotti said he had questioned the direction of his career once before, when he was about 33, but took a year off and then resumed the same path that his manager set for him -- easy-listening classics snubbed a "musak" by some critics.

But this time he said he was determined to change.

"I have never made a album that I did not like but I have rarely made the album that I wanted to make," said Lotti.

"I just want my success to be mine for a change even if that means I am only going to sell 10,000 records worldwide."

But what does the real Helmut Lotti sound like?

"There will always be some Elvis influence in my music and I like choir for instance but I would like to have it a little more up-to-date and with a bit more punch," he said.

"After 20 years, I am not going to search for the right music for my audience. I am now going to do something that I want to do and see what audience I get with that. But the real Helmut is not going to be weird or too modern of anything like that."

(Editing by Miral Fahmy)

Comments (0)
This discussion is now closed. We welcome comments on our articles for a limited period after their publication.