Author Toibin sees novel surviving new technology
NEW YORK |
NEW YORK (Reuters) - Award-winning Irish writer Colm Toibin firmly believes the novel will remain fundamentally unchanged by the Internet or other high-tech innovations, a realm in which he admits he is nearly illiterate.
Toibin, the author of such critically acclaimed novels as "Brooklyn," "The Master" and "The Blackwater Lightship," is set this week to appear on a panel to discuss "The Author in the Age of the Internet," part of the London Review of Books' 30th anniversary celebration events in New York.
Toibin is a technophobe. He writes with a fountain pen on paper and cannot figure out how to send e-mails by phone. An interview with Reuters on Tuesday was delayed as Toibin fumbled with his cell phone, repeatedly failing to answer it.
"I actually miss most calls," Toibin said apologetically over a landline from Princeton University where he teaches. "Like an awful lot of writers, I am barely literate in the things that seem to matter now."
The recent launch of Apple's iPad tablet computer and the pending release of similar devices have many in publishing experimenting with new forms of content for increasingly powerful mobile computing devices.
Toibin is aware technology is encroaching on literature, but he remains unimpressed with new gadgets such as Amazon's Kindle.
On a train to Boston, he tried out a Kindle belonging to a fellow passenger, but he did not like it. "I thought it took longer to turn the page than it would take me and ... I just didn't like that second of waiting," he said.
At a dinner party, a fellow guest admitted to never reading his work but said she could rectify that immediately.
"She took a Kindle out of her handbag and ordered one of my books in front of me," he said. "She seemed immensely happy, and thought I should be too, that she now had the book.
"But I wondered if she would read it, and I didn't think so," he said.
'INFINITE CHOICE'
Toibin, who has won several literary awards and been shortlisted for the coveted Man Booker Prize, is impressed by the way the Internet has made "an infinite choice" of books available.
But he said he believed the way novelists work -- in solitude and from the imagination -- would remain essentially unchanged.
"I am 55 and I'm not going to change ... and my readers are not going to change either," he said. "The idea that technology will change how we function would be just absurd."
But he finds after growing up gay in the rural Irish town of Enniscorthy when homosexuality was viewed as sinful and unnatural, that technology has changed gay life.
"Now if you are gay, you go online at night and realize the whole world is gay," he said. "Before the Internet, there was a lot of solitude. Now there is an awful lot of solidarity."
The Internet has changed what he writes, he added, because his themes such as gay loneliness, solitude and tragedy have been replaced by gay solidarity and enjoyment.
With gay life as one of his most common topics, "the Internet has fundamentally changed how I write about it."
Toibin has a collection of short stories due for publication in the fall in Britain and next year in the United States. He also is working on a novel set in Ireland during the 1960s economic boom after the country dropped its protectionist policies.
Toibin said there had been a lot of interest in Hollywood about making a movie from his latest novel, "Brooklyn," set in an Irish enclave in the 1950s, and that he expected to sell it to a studio in the coming weeks.
(Reporting by Mark Egan: Editing by Ellen Wulfhorst and Peter Cooney)
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Sure you can always download a book again, but for some people, that lacks ownership when they are unable to move the words from one location to another. It’s for copyright protection, but you can always lend a book to someone else.
The only way books can be removed from society is that majority of readers end up using a computer or tablet as a medium for all reading materials. Right now, this is not the case since companies still find majority of their profits from hardcover or paperback books. Also, it’s hard to watch someone sign digital media where pen is much simpler and more profound when the reader is in the presence of the author.
No matter where technology leads us, someone will always have to plant the seed and grow it.
I was dragged online kicking and screaming but I have come to embrace the tools available. Now I can see it from both sides and in the end I came to the same conclusion Toibin did – “the novel will remain fundamentally unchanged by the Internet.”
Excepting a faithful Kindle user group, most people are only happy with a book. They don’t want to read on the computer and they don’t want a download even if it’s free. They want to curl up with a good old fashioned book.
However, I disagree with the idea that, “technology is encroaching on literature.” To me, the word encroaching has a negative connotation and it’s not true.
If anything, tecnology is resurecting literature. The publishing industry is poised to be turned upside down by indie literature in the same way the music and film industries were. And the internet is bringing readers closer to each other and closer to the authors whose books they love.
If technology is encroaching on anything, it’s the publishing industry and if anything has been encroaching on literature, it’s the publishing industry.
Thankfully change is inevitable and in my opinion the changes are good for people like me and people like Toibin, even if he is a technophobe.



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