(Corrects movie title in fifth paragraph to 'Only God
* Burning buildings, severed lips in "Lost River"
* Gosling's film has surreal, sinister feel
By Alexandria Sage
CANNES, France, May 20 Hollywood actor Ryan
Gosling burned up the screen at the Cannes film festival with
his directorial debut on Tuesday, but critics' reaction was a
Gosling's "Lost River", which was to premiere at Cannes on
Tuesday night, includes enough images of blazing buildings to
satisfy the most ardent pyromaniac.
But early comments posted on Twitter following an advance
press screening were overwhelmingly caustic. Tim Robey of
Britain's Daily Telegraph called the film - set in a
near-deserted community pockmarked by scorched houses - a
Gosling's movie, which he also wrote, is one of 19 to
compete in the "Un Certain Regard" category for emerging
directors at the prestigious festival on the French Riviera.
The Hollywood heartthrob has been a frequent visitor to
Cannes as an actor, most recently accompanying two Nicolas
Winding Refn films - the bloody slasher set in Bangkok, "Only
God Forgives", and pulp thriller "Drive".
The influence of Winding Refn - who this year is a jury
member in the festival's main competition - was palpable, said
A young man named Bones (Iain De Caestecker), along with his
mother (Christina Hendricks) and little brother, are practically
the only family left that hasn't yet cleared out of the
community, visibly hit by tough times.
When their home is scheduled for demolition due to a
mortgage debt, Bones strips abandoned houses for copper wiring
to sell and his mother starts working at an underground fetish
club where a cabaret show features women being slashed and
While Gosling appears at first glance to be interested in
themes such as attachment to home, or mortgage-lender greed, the
movie is sidetracked by its surreal and sinister elements,
reminiscent of David Lynch but without the psychological punch.
Neither the mysterious mute grandmother who sits and watches
old home movies in the dark in full makeup and black veil, nor
the discovery of a town submerged underwater, make much sense. A
violent sexual encounter between the mother and her new boss
feels purely gratuitous.
As if the community doesn't have enough problems already, a
foul-mouthed, street-wise character named Bully (Matt Smith)
rides around in his white convertible, bragging through a
loudspeaker that "I own this city". Those who don't obey find
their lips cut off with scissors.
Spewing blood, a severed rat head, and bikes and buildings
burning in slow motion impart a nightmarish feel as heavy,
brooding music substitutes for dramatic tension.
"The ultimate student film, made by industry pros," wrote
Twitch Film in a tweet.
(Editing by Mark Trevelyan)