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Gervais sees dead people in lively "Ghost Town"

Mon Sep 8, 2008 11:53pm EDT
British actor Ricky Gervais attends the ''Ghost Town'' news conference during the 33rd Toronto International Film Festival September 6, 2008. REUTERS/Mark Blinch

TORONTO (Hollywood Reporter) - In a sea of serious festival films, "Ghost Town" stands out like a beckoning beacon of welcome frivolity.

Film

A notable change of pace for director and co-writer David Koepp, whose screenplays tend to run along the epic lines of "Indiana Jones and the Kingdom of the Crystal Skull," "Spider-Man" and "War of the Worlds," this lower-key effort offers up a winning mix of sharp comedy and touching bits that keeps the laughter -- a few tears -- flowing.

It follows a time-honored formula, to be sure, but with the hilariously sardonic Ricky Gervais on hand to keep the creeping pathos in check, you've got a spirited crowd-pleaser that's destined to be one of the biggest comedy hits of the fall season upon its September 19 release via DreamWorks/Paramount.

In his first feature starring role, Gervais is comfortably spot-on as Bertram Pincus, a misanthropic New York dentist (he doesn't hate crowds, just "the individuals within them") whose near-death experience during a routine hospital procedure leaves him with a newfound ability: He can see dead people. Lots of them -- all wandering around the streets of Manhattan with unfinished business to address, and they're turning to Dr. Pincus as their liaison to the living.

The most persistent among them is Greg Kinnear's Frank Herlihy, a philandering jerk who badgers Pincus into busting up the serious relationship between his Egyptologist widow (Tea Leoni) and her new beau (Billy Campbell).

Despite Pincus' protestations, we all know how this is going to turn out, but fortunately "Ghost Town" retains enough of that wry edge to make it seem reasonably fresh.

Working in that proven "Ghost"/"Heaven Can Wait" arena, Koepp (directing a comedy for the first time) and frequent collaborator John Kamps keep the funny stuff coming at a nimble pace.

And while the requisite emotional shift has a life-changing effect on the Gervais character's delightfully cynical demeanor, one wishes he could have been allowed to retain just a little more of that caustic bite.

Still, Gervais, in an extension of the type of guys he played in "The Office" and "Extras," succeeds not only in elevating the material but inducing his talented co-stars, including a scene-stealing Kirsten Wiig as his defensive surgeon, to up their comedy game accordingly.

The big screen is all the richer for his presence.

Reuters/Hollywood Reporter



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