• Most Popular
  • Most Shared
Beyonce performs "Single Ladies"  at the 2009 MTV Video Music Awards in New York, September 13, 2009.     REUTERS/Gary Hershorn

Pictures of the year: Entertainment

A look at the year's best entertainment photos.   Slideshow 

    Who's L.A. concert hits some rough patches

    Sun Nov 9, 2008 7:57pm EST
    Roger Daltrey (L) and Pete Townshend of The Who perform at the taping of the third annual VH1 Rock Honors: The Who concert in Los Angeles July 12, 2008. REUTERS/Mario Anzuoni

    LOS ANGELES (Hollywood Reporter) - The surviving members of the Who overcame singer Roger Daltrey's early vocal woes to wow a packed house in the first of two Los Angeles shows on Saturday.

    Entertainment  |  Music

    Daltrey and guitarist Pete Townshend offered visceral, often drawn-out versions of classics, nuggets and more recent fare that blew away the gripes that half a Who somehow just isn't worthy.

    But it certainly was dodgy early as Daltrey struggled to find his voice. "My vocal chords kinda go to sleep after two days off," he told the crowd, somewhere between cheekily and sheepishly. But he appeared less than enthused when Townshend mentioned the shortcomings a few songs later.

    And that was an example of the only real negative about this show: There's an obvious disconnect between the pair. They kept their distance throughout almost the entire set, even for the two-man encore coda of "Tea & Theatre." They traded lines during between-song banter but never conversed or interacted. In introducing the recent "Real Good Looking Boy," Daltrey said, "I know Pete probably didn't write it for this guy, but I sing it for Elvis Presley." It seemed likely that Daltrey had never asked him about it.

    But personal chemistry aside, the professional relationship remains strong. Coincidentally, Daltrey's voice kicked in for "Getting in Tune" about 35 minutes into the show. And it was mostly strong for the rest of the night. He even reached down and conjured the old power for the key screams in "Love, Reign O'er Me" and "Won't Get Fooled Again."

    "Eminence Front," with that so basic yet mesmerizing four-note riff, was typically grabbing; "5:15" was at full throttle, and "Who Are You" exploded through the hall with its threatened funk, with Townshend deploying his first guitar windmills (a triple) and Daltrey offering slow enunciations of the snuck-in "Who the f--- are you?" lines.

    And the all-ages crowd -- rife with parents and their children -- stood throughout. Even those who rocked to "My Generation" on AM radio.

    Reuters/Hollywood Reporter



    More from Reuters

    Photo

    Plot exposes fissure in U.S. intelligence community

    WASHINGTON (Reuters) - Last week's failed plot to bomb a U.S. passenger jet has exposed lingering fissures within the U.S. intelligence community, which had information from interviews and clandestine intercepts but did not put the pieces together, officials said.

    Traders work in the pits at the The New York Mercantile Exchange, November 7, 2007. REUTERS/Brendan McDermid

    Calling the market

    A spectacular credit bust, two devastating stock market crashes ... the smart call this decade was to play it safe.  Full Article 

    People walk past a branch of Bank of America in New York's financial district April 28, 2009. REUTERS/Brendan McDermid

    Move your money

    Boycotting "too big to fail" banks is a great idea -- so long as investors remember that banks aren't the only ones responsible for the crisis.  Full Article