Credit crunch fuels investor thirst for art, wine

Mon Mar 3, 2008 8:28am EST
 
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By Clara Ferreira-Marques

LONDON (Reuters) - Rollercoaster markets may have cooled investor appetites for shares or property, but interest in offbeat investments is booming as a growing number of art and wine funds compete to combine passion with high returns.

Downturns typically mean a slowdown in investments that are seen as discretionary, but industry watchers say the credit crunch has left the appeal of so-called "investments of passion" -- art, wine and collectibles -- largely untarnished.

Instead, they say, it brought home the need for investors to take on uncorrelated assets to offset the ups and downs of the mainstream equity and credit markets.

Investing in a Picasso, a case of Chateau d'Yquem or a Bordeaux from the sought-after 1961 vintage is nothing new: wealthy enthusiasts have been filling their cellars and covering their dining-room walls for centuries.

But the specialized asset managers that have emerged in the past decade have brought sophisticated financial techniques to the pursuit, widening interest to include large institutional investors who are attracted by rising prices, and returns that can reach or exceed 20 to 40 percent a year.

In 2007, for example, the FTSE blue-chip index rose by less than 4 percent. The main index on Liv-ex, an independent trading and settlement platform for the fine wine trade, ended the year up just over 40 percent -- and with excitement still bubbling around the 2005 Bordeaux vintage, now being shipped.

"More and more people are looking at wine as an asset class, discovering it is uncorrelated to bonds and equities, that there are fund managers out there to help them capture those gains," said Andrew della Casa, a director at the Wine Investment Fund, one of the sector's largest players with 35 million pounds ($69 million) of funds under management.

He said the credit crunch had allowed funds to demonstrate how resilient alternative assets were in a real downturn.  Continued...

 
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