Scoreboard check helped propel Zverev into U.S. Open final

Sep 11 2020; Flushing Meadows, New York,USA; Alexander Zverev of Germany celebrates after his match against Pablo Carreno Busta of Spain (not pictured) in a men's singles semi-finals match on day twelve of the 2020 U.S. Open tennis tournament at USTA Billie Jean King National Tennis Center. Mandatory Credit: Danielle Parhizkaran-USA TODAY Sports

NEW YORK (Reuters) - It was nothing more than a glance at the scoreboard in the third set that pushed Alexander Zverev to raise the level of his play against Pablo Carreno Busta on Friday and help him into the U.S. Open final.

The 23-year-old German appeared out of sorts early against the Spaniard but produced a remarkable fight-back to record a 3-6 2-6 6-3 6-4 6-3 victory to advance to his first Grand Slam final.

“I looked at the scoreboard after two sets (and) I thought to myself, ‘Look, I’m playing a Grand Slam semifinal, I’m down 6-3 6-2 in a match where on paper I’m supposed to be the favorite,’” the fifth-seeded Zverev told reporters.

“I thought, ‘OK, I’m going to go set by set, we’ll see how far I can get.’ It turned out well in the end.”

Zverev added the reality check had made him more aggressive, and he started taking the ball earlier, which helped him dictate play far better than he had in the first two sets, and he was pleased with the way he had mentally handled the situation.

“I dug deep, dug very deep,” he said. “At the end of the day I’m sitting here as the winner of that match, which could have been very different.”

Carreno Busta, who was also beaten by South Africa’s Kevin Anderson in the semi-finals in 2017, said Friday’s loss was harder to take.

“Three years ago was my first semi-finals (and) I was very happy,” he said. “Now, it’s not enough. It was a good opportunity to ... win the title. With two sets to zero up, is tough to lose.”

Organizers had commemorated the anniversary of the Sept. 11, 2001 attacks before the semi-final, with Broadway singer Christopher Jackson performing a trio of songs in front of a display for Black Lives Matter inside Arthur Ashe Stadium.

Reporting by Amy Tennery in New York; Writing by Greg Stutchbury in Wellington; Editing by William Mallard