LONDON (Reuters) - Damien Hirst, former BritArt bad boy whose works infuriate and inspire in equal measure, did it again on Friday with a diamond-encrusted platinum cast of a human skull priced at a cool 50 million pounds.
The skull, cast from a 35-year-old 18th century European male, is coated with 8,601 diamonds, including a large pink diamond worth more than four million pounds in the centre of its forehead.
“It shows we are not going to live for ever. But it also has a feeling of victory over death,” Hirst said as the sparkling skull was unveiled to the public for the first time amid tight security at central London’s White Cube gallery.
Hirst, who has a preoccupation with blood and death and whose works range from diced and pickled quadrupeds to bloody depictions of birth, said he was inspired by similarly bejewelled Aztec skulls.
While the skull is platinum and the diamonds flawless -- and ethically sourced, Hirst stressed -- the teeth are real.
“It was very important to put the real teeth back. Like the animals in formaldehyde you have got an actual animal in there. It is not a representation. I wanted it to be real,” he said.
The skull is missing one tooth, which Hirst initially replaced with a gold one and then decided to leave out.
“We felt we didn’t need it, so we took it out. It feels sort of human and quirky,” he said.
Hirst, whose works regularly fetch millions of pounds, said he hoped the skull would not be snapped up by a private buyer and taken away from public view.
“It would be sad it ends up in a vault somewhere that nobody sees. Obviously I would like it to be on display.
“If anybody buys it, I would make that part of the conditions,” he said.
He rejected suggestions that his works were more a standing joke against the art establishment than real works of art.
“I’ve stopped worrying about what art is. There is good art, bad art, indifferent art. It is art but it is more timeless than contemporary art,” he said.
Other works in the new exhibition include pickled creatures, a flying dove suspended in mid-air, a flayed human statue holding its own skin and a series of pictures of an operation being carried out.
As an indication of the wealth he has amassed since being spotted in 1991 by BritArt mogul Charles Saatchi Hirst, who financed the skull himself, said he couldn’t remember whether it had cost 10 or 15 million pounds.
“I hope this work gives people hope -- uplifting, take your breath away,” he said in response to a question on what he expected the public to get from the skull.
Our Standards: The Thomson Reuters Trust Principles.