May 9, 2017 / 12:10 PM / 3 years ago

Romanian museum celebrates the creativity of kitsch

BUCHAREST (Reuters) - Visitors to Romania who yearn for a taste of communist era kitsch now have an entire museum to enjoy.

A reconstructed apartment interior is pictured inside the newly opened kitsch museum in Bucharest, Romania May 4, 2017. Picture taken on May 4, 2017. Inquam Photos/Octav Ganea via REUTERS

From the mundane - wedding champagne flutes covered in sequins and bows - to the more spectacular - a life-sized Dracula and flashing neon crucifixes - Bucharest’s Kitsch Museum celebrates questionable taste of the past and present.

“My favorite kitsch, which has unfortunately been damaged, is a statue of Christ with an incorporated room thermometer,” said Cristian Lica, who opened the museum to show off a collection he has amassed over two decades.

“The creativity behind kitsch must be admired.”

The 215 exhibits are curated into several categories: communist, Dracula, Orthodox Church, contemporary and Gypsy kitsch, which, Lica said, was not meant to offend the Roma minority.

“We don’t want to insult anyone. We didn’t invent anything, we just picked up items from the reality around us,” he said.

Lica, who has traveled to over 100 countries and has written a travel book, said he believed Romania has been particularly prone to kitsch as it rushes to catch up with the aspirational living standards of its richer western neighbors.

In the communism collection, plain cotton underwear hangs out to dry in plain view, a common sight on apartment balconies of the era. For Romanians, the tiny museum in the capital city’s picturesque old town, is full of recognizable artefacts both from pre-1989 communist times and the present.

“It reminded me of my childhood, how I grew up, how the house looked,” said local visitor Simona Constantin.

“I am glad such a museum has opened. Everything I have seen has made me nostalgic.”

(Refiles to remove extraneous words in first paragraph)

Reporting by Luiza Ilie and Sinisa Dragin; Editing by Robin Pomeroy

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